Clemens Wöllner - Selected Publications#

Wöllner, C. & London, J. (eds.) (2023, in press). Performing time. Synchrony and temporal flow in music and dance. Oxford University Press. https://global.oup.com/academic/product/performing-time-9780192896254?q=w%C3%B6llner&lang=en&cc=de#

Wöllner, C. & Hammerschmidt, D. (2021). Tapping to hip-hop: Effects of cognitive load, arousal, and musical meter on time experiences. Attention, Perception, & Psychophysics, 83, 1552–1561. DOI: https://doi.org/10.3758/s13414-020-02227-4

Wöllner, C. (2020). Call and Response: Musical and bodily interactions in dyadic jazz improvisation. Musicae Scientiae, 24, 44–59. [DOI: 10.1177/1029864918772004]

Wöllner, C. (2019). Anticipated sonic actions and sounds in performance. In M. Grimshaw, M. Walther-Hansen, & M. Knakkergaard (Eds.), The Oxford handbook of sound and imagination, vol. 2 (pp. 37–57). New York: Oxford University Press.

Wöllner, C., Hammerschmidt, D., & Albrecht, H. (2018). Slow motion in films and video clips: Music influences perceived duration and emotion, autonomic physiological activation and pupillary responses. PLoS ONE 13(6): e0199161 [DOI: 10.1371/journal.pone.0199161]

Wöllner, C. & Keller, P. (2017). Music with others: Ensembles, conductors, and interpersonal coordination. In R. Ashley & R. Timmers (Eds.), The Routledge companion to music cognition (pp. 313–324). New York: Routledge.

Wöllner, C. (2017). Audience responses in the light of perception-action theories of empathy. In E. King & C. Waddington (Eds.), Music and empathy (pp. 139–156). New York: Routledge.

Wöllner, C. (Ed.) (2017). Body, sound, and space in music and beyond. Multimodal explorations. Abington, New York: Routledge.

Complete list of publications