Christopher Wood - Selected Publications#

A History of Art History (Princeton: Princeton University Press, 2019)
Short-listed (one of five) for Apollo Book of the Year Award

Anachronic Renaissance (with Alexander Nagel) (New York: ZONE Books, 2010)
Translated as Renaissance anachroniste (Paris: Presses du Réel, 2015) and Renacimiento anacronista (Madrid: Akal, 2017); Rinascimento anacronico (Rome: Quodlibet, forthcoming)

Forgery, Replica, Fiction: Temporalities of German Renaissance Art (Chicago: University of Chicago Press, 2008)
Awarded the Susanne M. Glasscock Humanities Book Prize for Interdisciplinary Scholarship

“The dancer in and out of character: Tiepolo, Canova, Degas,” in La parade, special issue of Res: Anthropology and Aesthetics 73/74 (2020)

“Formalismus und kein Ende. Die Einführung zu ‘The Vienna School Reader’ mit einem neuen Nachwort,” Politics and Art Historical Method in the 1930s (2000), in Formbildung und Formbegriff: Das Formdenken der Moderne, ed. Markus Klammer, Malika Maskarinec, Ralph Ubl, and Rahel Villinger (Munich: Fink, 2019), pp. 93-132

“The Crime of Passion,” in Mariana Aguirre et al., eds. XXXIX Coloquio Internacional de Historia del Arte: Historia del arte y estética, nudos y tramas, Universidad Nacional Autónoma de México-Instituto de Investigaciones Estéticas, Publicaciones Digitales, 2019, pp. 155-72

"Landscapes by Wolf Huber and Domenico Campagnola, invented, copied, and replicated,” in Jenseits des Disegno: Die Entstehung selbständiger Zeichnungen in Deutschland und Italien im 15. und 16. Jahrhundert, ed. Daniela Bohde and Alessandro Nova, with Anna Christina Schütz (Petersberg: Michael Omhoff, 2018), pp. 312-31

“Figure and Ground in Goethe’s Wilhelm Meisters Lehrjahre,” ELH 84 (2017): 399-422

“Allegorie und Prophezeiung,” in Allegorie: DFG-Symposion 2014, ed. Ulla Haselstein (Berlin: De Gruyter, 2016), pp. 567-98

“Image and Thing, A Modern Romance,” Representations 133 (2016): 130-51