Tijana Popović Mladjenović - Selected Publications#

2021, first author. Tijana Popović Mladjenović and Leon Stefanija, The Musical Text as a Polyphonic Trace of Otherness. In: Intertextuality in Music: Dialogic Composition, edited By Violetta Kostka, Paulo F. de Castro, William A. Everett. Abingdon, England; New York, NY: Routledge
https://www.routledge.com/Intertextuality-in-Music-Dialogic-Composition/Kostka-Castro-Everett/p/book/9780367552909

2020, Tijana Popović Mladjenović, Reflections on Re-con-naissance. In: Contextuality of Musicology - What, How, Why, and Because, edited by Tijana Popović Mladjenović, Ana Stefanović, Radoš Mitrović. Belgrade: University of Arts, Faculty of Music, 54-63.

2019, first author. Tijana Popović Mladjenović and Nataša Penezić, The Role of Spoken/Written Language in the Construction of Frederic Rzewski` s Marriage. Music, Journal for Music Culture, Vol. XXIII, No. 1, 6-20.
http://muzika.mas.unsa.ba/bs/br-1-2019

2019, Tijana Popović Mladjenović, ‘In-Between’ the Autonomous and Contingent Worlds of Music. In: Of Essence and Context – Between Music and Philosophy, edited by Rūta Stanevičiūtė, Nick Zangwill, Rima Povilionienė. Springer, Switzerland AG, 119-135.
https://link.springer.com/chapter/10.1007%2F978-3-030-14471-5_9

2019, first author. Tijana Popović Mladjenović and Ivana Petković Lozo, Preludes by Claude Debussy - the Idea of the Work as a Cycle. Contemporary Musicology, No. 4, pp. 33-67.
http://gnesinsjournal.ru/en/2019-4

2019, Tijana Popović Mladjenović, Slow Waltz as the Place of Different Individual Stylistic Shifts in Art Music just before the Great War. In: The Great War /1914-1918/ and Music, edited by Stanislav Tuksar, Monika Jurić Janjik. Zagreb: Croatian Musicological Society, 211-222.

2017, Tijana Popović Mladjenović, The Musical Text and the Ontology of the Musical Work. In: Musical Identities and European Perspective: An Interdisciplinary Approach, edited by Ivana Perković, Franco Fabbri. Frankfurt am Mein, New York: Peter Lang, 244-296. https://www.peterlang.com/view/title/19107?tab=toc

2017, Tijana Popović Mladjenović, Structure, sense, and meaning of Debussy’s La Puerta del Vino. Interpreting the self through music. In: Making Sense of Music. Studies in Musical Semiotics, edited by Costantino Maeder, Mark Reybrouck. Louvain: Presses Universitaires de Louvain, 27-40.

2015, Tijana Popović Mladjenović, Muzičko pismo / Musical Writing (Musical Writing and the Awareness of Musical Language with Special Consideration of Avant-garde Music in the Second half of the 20th century). Belgrade: Clio, 1996 / Belgrade: University of Arts, Faculty of Music (Tempus project InMusWB), 2015, 265 pp. Reviewed in Music and Letters-

2014, first author. Tijana Popović Mladjenović, Blanka Bogunović and Ivana Perković, Interdisciplinary Approach to Music: Listening, Performing, Composing. Belgrade: University of Arts, Faculty of Music (Tempus project InMusWB), 2014, 286 pp. Reviewed in Musicae Sceintiae

Google scholar
H-index 5
Academia.edu
Citations 121
https://artsinbelgrade.academia.edu/tijanapopovicmladjenovic