AREAS OF ACTIVITY - Musicology and Art History
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AREAS OF ACTIVITY - Musicology and Art History
-
15th
- 15th and 16th century music theory
- Italian music in European music history of the 15th to17th century
- Music, liturgy and the church in the 15th and 16th centuries
- philosophy of music in the 15th and 16th centuries
-
16th
- 15th and 16th century music theory
- English, French and Italian music of the 14th to 16th centuries
- Interior decoration in the 16th and 17th centuries
- Music, liturgy and the church in the 15th and 16th centuries
- Netherlandish art in the 16th and 17th centuries
- philosophy of music in the 15th and 16th centuries
-
17th
- 17th century Antwerp art, and especially engraving
- Art of collecting and the 17th century cabinet of curiosity
- Collection and patronage in the 17th century, especially by the Modena Estensi
- European music of the 17th century
- European, especially Northern German music history, 17th to 19th century
- French painting from the 17th to the 19th century
- Interior decoration in the 16th and 17th centuries
- Music culture at European courts in the 17th and 18th centuries
- Netherlandish art in the 16th and 17th centuries
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18th
- 18th Century
- British art and architecture between 18th and 19th century
- French painting of the 18th century
- German literature and culture, esp. 18th and 19th centuries
- History of opera in the 18th and 19th century
- Instrumental music from the 18th century onwards
- Instrumental music of the late 18th and 19th centuries (Mendelssohn and Mozart in particular)
- Italian and French opera in 18th century
- Keyboard music up to the 18th century
- Music History 18th to 21st Centuries
- Music culture at European courts in the 17th and 18th centuries
- Music history of the 18th century
- Music of the 18th century
-
19th
- 19th/20th century music history
- Architecture and mediation in the 19th and 20th centuries, including architecture and print culture, architectural exhibitions, architecture and mobility
- Art history in Europe and Northern America, 19th and 20st century
- Arts, physiological psychology and neuro-sciences during the 19th and early 20st century
- British art and architecture between 18th and 19th century
- Cultural history of music in France during the 19th and early 20th centuries
- European, especially Northern German music history, 17th to 19th century
- French painting from the 17th to the 19th century
- German literature and culture, esp. 18th and 19th centuries
- German painting in the 19th century
- Historicism and 19th century architectural thinking
- History of 19th century music to the present
- History of European architecture 19th and 20th century
- History of architecture in Germany 19th and 20th century
- History of listening practices, 19th and 20th centuries
- History of music in Lithuania and Balticum in 19th and 20th-centuries
- History of music: 18th - 19th centuries
- History of opera in the 18th and 19th century
- History of vocal music (both secular and sacred) in the long 19th century
- Instrumental music of the late 18th and 19th centuries (Mendelssohn and Mozart in particular)
- Music Historiography and Early-Music Scholarship in the 19th and 20th centuries
- Music of 19th and 20th Century
- Music practices and music cultures from the Renaissance to the early 19th century
- Piano Music in 19th century
- Political monuments in the 19th and 20th centuries
-
20th
- 19th/20th century music history
- Architecture and mediation in the 19th and 20th centuries, including architecture and print culture, architectural exhibitions, architecture and mobility
- Cultural history of music in France during the 19th and early 20th centuries
- History of 20th & 21st century music
- History of European architecture 19th and 20th century
- History of architecture in Germany 19th and 20th century
- History of listening practices, 19th and 20th centuries
- Music Historiography and Early-Music Scholarship in the 19th and 20th centuries
- Music history and performance practice in the 20th century
- Music in the late 20th and 21st centuries
- Music of 19th and 20th Century
- Music of 20th and 21st centuries
- Music of the 14th – 20th centuries
- Political monuments in the 19th and 20th centuries
- Theatre music, music theatre and film music in the 20th century
-
21st
- History of 20th & 21st century music
- Music History 18th to 21st Centuries
- Music in the late 20th and 21st centuries
- Music of 20th and 21st centuries
-
aesthetic
- 18th-century music, aesthetics, and criticism, especially in Germany
- Aesthetics
- Aesthetics and philosophy of music
- Aesthetics of music
- Aesthetics of music (historical, transcultural and empirical perspectives)
- Aesthetics of music in the XVII and XVIII centuries
- General aesthetics
- History of ideas, critical theory, aesthetics
- History of musical aesthetics
- Music aesthetics
- Music aesthetics and reception theories
- Musical aesthetics
-
age
- Baroque Music in the age of Händel
- Cult-objects and religious materiality in the Middle Ages and the early modern period
- Dynamics of cultural interaction in the arts of the Middle Ages and the early modern period
- European music of the later middle ages, c. 1300-1450
- History of music: Middle Ages
- Middle Ages
- Music Theory in the Middle Ages
- Music and music theory of the Middle Ages and Renaissance
- Music of the Middle Ages, particularly Gregorian and post-Gregorian chant
- Philosophy of music in the Middle Ages and Renaissance.
- Polyphony, chant, and liturgy in the later Middle Ages and Renaissance
- Spanish Art of the Golden Age
- music in the Principality of Liège (from Middle Ages until Baroque
-
american
- 20th-century American music
- American Art and Transatlantic German Relations
- English, American music and Norwegian music
- Hispano American urbanism and architecture
- Spanish and Latin American art
-
analysis
- Critical analysis of music
- Early music analysis
- Movement analysis
- Music analysis
- Music theory and analysis
- Music theory, counterpoint, analysis, musica ficta, text-setting
-
anthropology
- Anthropology and sociology of music and culture
- Anthropology of images
- Anthropology of music
- Art and Anthropology
- Iconology and image anthropology
- Sociology and anthropology of music
-
architecture
- Architecture and mediation in the 19th and 20th centuries, including architecture and print culture, architectural exhibitions, architecture and mobility
- Architecture in Southern Europe, 1925-1972
- Art, architecture and patronage in Renaissance
- British art and architecture between 18th and 19th century
- Congrès Internationaux d'Architecture Moderne (CIAM)
- Curatorship and conservation of modern architecture
- Early Gothic architecture in England
- Early modern architecture
- Early modern theory of architecture
- Hispano American urbanism and architecture
- History and theory of architecture
- History of European architecture 19th and 20th century
- History of architecture
- History of architecture in Germany 19th and 20th century
- History of modern art and architecture
- Irish art and architecture
- Medieval Georgian art and architecture
- Philosophy of architecture and technology
- Relationship between architecture, litterature and rhetoric
- Renaissance art and architecture (especially French Renaissance)
- Theory and history of modern art and architecture
- Views and Site-Specificity in Early Modern Architecture
- Western European architecture – Romanesque and Gothic
-
art
- 17th century Antwerp art, and especially engraving
- American Art and Transatlantic German Relations
- Art Criticism and Theory
- Art Theory
- Art Theory (Early Modern Times)
- Art Theory (Early Modern)
- Art and Anthropology
- Art and Mobility in Early Modern Times
- Art and Politics in the Spanish Habsburg Empire
- Art and alchemy
- Art and media in Contemporary Italy
- Art and neuroscience
- Art and rhetoric in Antiquity and Early Modern Times
- Art and the body
- Art and the city
- Art and the reformation
- Art criticism
- Art criticism vocabulary
- Art exhibition studies
- Art history
- Art history
- Art history - theory and history of the discipline
- Art history in Europe and Northern America, 19th and 20st century
- Art lexicology and terminology
- Art of Early Modern Sweden (Renaissance and Baroque)
- Art of collecting and the 17th century cabinet of curiosity
- Art of the Italian Renaissance (16th Century)
- Art of the early modern era
- Art theory
- Art theory and art history writings
- Art, architecture and patronage in Renaissance
- Art, art theory and art history around 1800
- Arts of the Christian communities of the Near East and Asia
- Arts, physiological psychology and neuro-sciences during the 19th and early 20st century
- British art and architecture between 18th and 19th century
- Byzantine art
- Caucasian art
- Cognitive research in art history
- Connections between history of art and visual culture
- Decorative systems in Renaissance Art
- Digital art history
- Dynamics of cultural interaction in the arts of the Middle Ages and the early modern period
- Early Netherlandish, Flemish and Dutch Art
- Early modern European art history
- Early modern historiography of art
- Early modern images / art and global exchange
- Eastern Christian art
- Encounters in the arts
- Epistemology of art history
- Exodus in Early Modern Art and texts on Art (Ark of the Covenant; Bezalel; Moses)
- Gender and the visual arts
- Grotesques in Renaissance Art
- Historigraphy of art
- Historiography of art
- Historiography of art history (history of the discipline of art history)
- Historiography of art history and of connoisseurship
- Historiography of the Art History (Aby Warburg)
- History and methodology of art history
- History of Art
- History of Art Perception in Modern and Contemporary Art
- History of European art, 1300-1900
- History of art literature and art reception
- History of art theory
- History of classical tradition and the vogue for classical and biblical subjects in art of the modern era
- History of history of art
- History of modern art and architecture
- History of perception of the work of art
- Interdisciplinary Music and Art Studies
- Irish art and architecture
- Islamic art
- Italian Renaissance Art
- Magic and talisman in art
- Mannerist art
- Mechanism of signification of the art work
- Medieval Georgian art and architecture
- Medieval art
- Methodology of art history
- Methodology of art history and Bildwissenschaft
- Music and fine arts
- Music and the Arts
- Music and the arts in interwar France
- Music and visual arts
- Nationalism, Internationalism and transnationalism in music and the arts
- Netherlandish art in the 16th and 17th centuries
- Nineteenth-century art
- Nineteenth-century art
- Non-figurative Modernist Art and its reception since 1980
- Performativity and Art
- Performing Arts
- Phenomenon of fantasy in art
- Post-War British art 1945-60
- Processes of transcultural negotiation in art
- Psychology of art
- Relations and interactions of music and other arts
- Relations between art and music in the Renaissance and Baroque eras
- Relationship between Art and Music
- Relationships between arts and technologies
- Relationships between early-modern art and Jesuit spirituality
- Relationships between early-modern art theory and image theology
- Religious art
- Renaissance and Baroque Art
- Renaissance and Early modern art
- Renaissance art and architecture (especially French Renaissance)
- Self-Portraiture, Renaissance - contemporary art
- Site-specific and devotional forms of religious experience as reflected in the arts
- Spanish Art of the Golden Age
- Spanish and Latin American art
- Theory and historiography of art history
- Theory and history of modern art and architecture
- Theory of art
- Theory of art (with respect to musicology)
- Theory of art, early modern to present
- Timing and time perception in the performing arts
- XIXth Century Art
- XVIIIth - XIXth Century Art History (Painting, Sculpture)
-
bach
- Austro-German music from Bach to Mahler
- Bach
- Johann Sebastian Bach
-
baroque
- Austrian baroque music
- Baroque Music
- Baroque Music in the age of Händel
- Baroque festival culture
- Baroque studies
- Ethical and aesthetical issues of Baroque sacred music
- Historiography of Baroque music
- Image theory and artistic practice in Renaissance and Baroque Italy
- Italian Renaissance and Baroque painting
- Relations between art and music in the Renaissance and Baroque eras
- Renaissance and Baroque Art
- Spanish Baroque painting
- music in the Principality of Liège (from Middle Ages until Baroque
-
beethoven
- Beethoven
- Beethoven
- Beethoven (esp. late compositions, vocal music, creative process, musical network to contemporaries)
- Beethoven life and works
- Ludwig van Beethoven
-
central
- Late Medieval and Renaissance music: sources/media, musical life in central Europe, Josquin, Obrecht, Senfl, German composers around 1500
- Latin music theory of the 14th-16th centuries, especially in Central Europe.
- Medieval music notation, especially in Central Europe.
- Musical culture of Central Europe
-
century
- 15th and 16th century music theory
- 17th century Antwerp art, and especially engraving
- 18th Century
- 19th/20th century music history
- 20. and 21. century
- Aesthetics of music in the XVII and XVIII centuries
- Architectural theories and practises, 16th-17th centuries
- Architecture and mediation in the 19th and 20th centuries, including architecture and print culture, architectural exhibitions, architecture and mobility
- Art history in Europe and Northern America, 19th and 20st century
- Art of collecting and the 17th century cabinet of curiosity
- Arts, physiological psychology and neuro-sciences during the 19th and early 20st century
- British art and architecture between 18th and 19th century
- Collection and patronage in the 17th century, especially by the Modena Estensi
- Concert life in eighteenth century france
- Cultural history of music in France during the 19th and early 20th centuries
- English, French and Italian music of the 14th to 16th centuries
- European music of the 17th century
- European, especially Northern German music history, 17th to 19th century
- French music from the seventeenth to the twentieth century
- French painting from the 17th to the 19th century
- French painting of the 18th century
- German literature and culture, esp. 18th and 19th centuries
- German painting in the 19th century
- Historicism and 19th century architectural thinking
- History of 19th century music to the present
- History of 20th & 21st century music
- History of European architecture 19th and 20th century
- History of architecture in Germany 19th and 20th century
- History of listening practices, 19th and 20th centuries
- History of music: 18th - 19th centuries
- History of opera in the 18th and 19th century
- History of vocal music (both secular and sacred) in the long 19th century
- Instrumental music from the 18th century onwards
- Instrumental music of the late 18th and 19th centuries (Mendelssohn and Mozart in particular)
- Interior decoration in the 16th and 17th centuries
- Italian Painting, 15th–17th century
- Italian and French opera in 18th century
- Italian music in European music history of the 15th to17th century
- Keyboard music up to the 18th century
- Latin music theory of the 14th-16th centuries, especially in Central Europe.
- Music Historiography and Early-Music Scholarship in the 19th and 20th centuries
- Music History 18th to 21st Centuries
- Music and discourse in seventeenth and eighteenth century Europe
- Music culture at European courts in the 17th and 18th centuries
- Music history and performance practice in the 20th century
- Music history of the 18th century
- Music in Naples 15-19 centuries
- Music in the late 20th and 21st centuries
- Music of 19th and 20th Century
- Music of 20th and 21st centuries
- Music of the 14th – 20th centuries
- Music of the 18th century
- Music practices and music cultures from the Renaissance to the early 19th century
- Music, liturgy and the church in the 15th and 16th centuries
- Netherlandish art in the 16th and 17th centuries
- Piano Music in 19th century
- Political monuments in the 19th and 20th centuries
- Reception of early music in the twentieth century
- Sacred music, especially of the early centuries
- Seventeenth and Eighteenth century music
- Seventeenth and eighteenth century French music
- Theatre music, music theatre and film music in the 20th century
- XIXth Century Art
- XVIIIth - XIXth Century Art History (Painting, Sculpture)
- philosophy of music in the 15th and 16th centuries
-
chant
- Liturgical chant
- Music of the Middle Ages, particularly Gregorian and post-Gregorian chant
- Polyphony, chant, and liturgy in the later Middle Ages and Renaissance
- Special chants for local saints
-
collection
- Collecting practices and collection spaces
- Collection and patronage in the 17th century, especially by the Modena Estensi
- History of museums and of collections
- Music Collections
- Musical amateurs and their collections
-
concept
- History of the theories and concepts of music
- Paris, in the concept of ‘the poetics of the museum’
- Picture theory and historical concepts of pictures
- Theories of Authorship and Historical Concepts of Artistic Production (Early Modern and since the 1960's)
-
contemporary
- Art and media in Contemporary Italy
- Contemporary music
- Contemporary photography
- Contemporary “indie” opera
- Heinrich Isaac (c. 1455-1517) and his contemporaries
- History of Art Perception in Modern and Contemporary Art
- Poetics and stylistics of contemporary music
- Self-Portraiture, Renaissance - contemporary art
- Twentieth-century and contemporary music
-
court
- Court culture
- Court studies
- Court studies
- Music culture at European courts in the 17th and 18th centuries
- Pre-modern music and court cultures, in particular Europe and East Asia
-
criticism
- 18th-century music, aesthetics, and criticism, especially in Germany
- Art Criticism and Theory
- Art criticism
- Art criticism vocabulary
- Early modern music criticism
- Music criticism and the role of the press
- Music source-studies and text criticism
- Music textual criticism
-
cultural
- Complex cultural systems
- Cultural Exchange and Artistic Relations between Germany and France
- Cultural Transfer and Music
- Cultural analytics
- Cultural history of music in France during the 19th and early 20th centuries
- Cultural history of music in Ireland
- Cultural identity
- Cultural production and cultural institutions
- Cultural transfer
- Cultural transfer
- Dynamics of cultural interaction in the arts of the Middle Ages and the early modern period
- German and European cultural history since 1800
- ITC methodologies for cultural heritage (XML/TEI database)
- Intangible Cultural Heritage
- Latinamerican cultural studies
- Music and cultural and religious identity
- Music and cultural exchanges
- Music as Intangible Cultural Heritage
- Music in the cultural and political life of Florence
- Public service broadcasting, television, cultural and media policy
- Role of European cultural institutions in peacemaking
- Social and cultural theory
- Theoretical frameworks for modeling cultural change in semiotic terms
-
digital
- Digital Musicologies
- Digital art history
- Digital design theory
- Digital evolution of visual cultures
- Digital humanities
- Digital humanities, databases, music editions, digital vocabularies, crowdsourcing, connecting digital resources
- History of digital culture
- Music, digital media and mediation
-
dramaturgy
- Lyrical dramaturgy
- Musical dramaturgy
- Musical dramaturgy
-
early
- Art and Mobility in Early Modern Times
- Art and rhetoric in Antiquity and Early Modern Times
- Art of Early Modern Sweden (Renaissance and Baroque)
- Art of the early modern era
- Arts, physiological psychology and neuro-sciences during the 19th and early 20st century
- Cult-objects and religious materiality in the Middle Ages and the early modern period
- Cultural history of music in France during the 19th and early 20th centuries
- Dynamics of cultural interaction in the arts of the Middle Ages and the early modern period
- Early Gothic architecture in England
- Early Medieval music
- Early Netherlandish, Flemish and Dutch Art
- Early modern Antwerp in its global connections
- Early modern European art history
- Early modern European music
- Early modern architecture
- Early modern historiography of art
- Early modern history
- Early modern images / art and global exchange
- Early modern music
- Early modern music criticism
- Early modern theory of architecture
- Early music analysis
- Early music printing
- Exodus in Early Modern Art and texts on Art (Ark of the Covenant; Bezalel; Moses)
- Italian painting of the early Renaissance
- Music Patronage in Early Modern Italy
- Music and early modern press
- Music history of early modern Germany and Italy, and 19th-ct. France
- Music in the late romantic/early modern period
- Music practices and music cultures from the Renaissance to the early 19th century
- Painting, photography and early film
- Reception of early music in the twentieth century
- Renaissance and Early modern art
- Sacred music, especially of the early centuries
- Theory of art, early modern to present
- Views and Site-Specificity in Early Modern Architecture
-
education
- Education and Formation of the Artist's Identity
- Music (art) education
- Music and theater, music and education, music non stage
-
eighteenth
- Concert life in eighteenth century france
- Music and discourse in seventeenth and eighteenth century Europe
- Seventeenth and Eighteenth century music
- Seventeenth and eighteenth century French music
-
english
- English music of all periods
- English, American music and Norwegian music
- English, French and Italian music of the 14th to 16th centuries
- Medieval English literature
-
especially
- 17th century Antwerp art, and especially engraving
- 18th-century music, aesthetics, and criticism, especially in Germany
- Collection and patronage in the 17th century, especially by the Modena Estensi
- European, especially Northern German music history, 17th to 19th century
- Latin music theory of the 14th-16th centuries, especially in Central Europe.
- Medieval music notation, especially in Central Europe.
- Music Iconography especially Caravaggio
- Sacred music, especially of the early centuries
-
european
- Decoration of European town-halls
- Early modern European art history
- Early modern European music
- European Romanticism(s)
- European concert life
- European music of the 17th century
- European music of the fin de siècle
- European music of the later middle ages, c. 1300-1450
- European, especially Northern German music history, 17th to 19th century
- German and European cultural history since 1800
- History of European architecture 19th and 20th century
- History of European art, 1300-1900
- Italian music in European music history of the 15th to17th century
- Medieval European literature
- Music culture at European courts in the 17th and 18th centuries
- Reception of European music in Britain
- Role of European cultural institutions in peacemaking
- Russian, Eastern European and Soviet music
- Ukrainian musical culture, Ukrainian music in European context, Aspects of psychology of music and pedagogy
- Western European architecture – Romanesque and Gothic
-
film
- Film
- Film music
- Film music studies
- Painting, photography and early film
- Theatre music, music theatre and film music in the 20th century
-
form
- Forms of poetry for music
- How form becomes formula and stereotype, from 1500 to present
- Site-specific and devotional forms of religious experience as reflected in the arts
- Theory of musical language, form, style, and genre
-
france
- Concert life in eighteenth century france
- Cultural Exchange and Artistic Relations between Germany and France
- Cultural history of music in France during the 19th and early 20th centuries
- Music and the arts in interwar France
- Music history of early modern Germany and Italy, and 19th-ct. France
- Music in France (19th-20th c.)
- Music of Medieval France
- Stage Music in France from the Restoration to the Commune (1814-1871)
-
french
- 1870 - 1939 French music and culture
- English, French and Italian music of the 14th to 16th centuries
- French Music Ars Nova
- French music from the seventeenth to the twentieth century
- French painting from the 17th to the 19th century
- French painting of the 18th century
- Italian and French opera in 18th century
- Recent Italian and French music
- Seventeenth and eighteenth century French music
-
gender
- Gender
- Gender and the visual arts
- Gender in iconography
- Gender studies
- Music and gender
-
genre
- History of musical genres
- History of musical genres (motet, string quintet, sonata)
- Theory of musical language, form, style, and genre
-
german
- American Art and Transatlantic German Relations
- European, especially Northern German music history, 17th to 19th century
- German and European cultural history since 1800
- German literature and culture, esp. 18th and 19th centuries
- German painting in the 19th century
- History of the Modern Movement, Bauhaus, German Werkbund
- Late Medieval and Renaissance music: sources/media, musical life in central Europe, Josquin, Obrecht, Senfl, German composers around 1500
-
germany
- 18th- and 19th-century music in Germany
- 18th-century music, aesthetics, and criticism, especially in Germany
- Cultural Exchange and Artistic Relations between Germany and France
- History of architecture in Germany 19th and 20th century
- History of the rebuilding of Germany
- Music history of early modern Germany and Italy, and 19th-ct. France
-
heritage
- Heritage studies
- ITC methodologies for cultural heritage (XML/TEI database)
- Intangible Cultural Heritage
- Music as Intangible Cultural Heritage
-
historiography
- (Arthistorical) Historiography (Early Modern Times)
- Early modern historiography of art
- Historiography
- Historiography of Abstract Expressionism
- Historiography of Baroque music
- Historiography of Spanish music in the international context.
- Historiography of art
- Historiography of art history (history of the discipline of art history)
- Historiography of art history and of connoisseurship
- Historiography of music(ology), c. 1800-present
- Historiography of the Art History (Aby Warburg)
- Music Historiography and Early-Music Scholarship in the 19th and 20th centuries
- Music historiography
- Music historiography
- Musical historiography
- Questions of music historiography and current methods in musicology
- Theory and historiography of art history
-
history
- 16th-century music history (Italy)
- 19th/20th century music history
- 20th- and 21st-century music history
- Architectural history
- Architectural history and theory
- Art history
- Art history
- Art history - theory and history of the discipline
- Art history in Europe and Northern America, 19th and 20st century
- Art theory and art history writings
- Art, art theory and art history around 1800
- Authorship in Western music history
- Cognitive research in art history
- Connections between history of art and visual culture
- Cultural history of music in France during the 19th and early 20th centuries
- Cultural history of music in Ireland
- Digital art history
- Early modern European art history
- Early modern history
- Epistemology of art history
- European, especially Northern German music history, 17th to 19th century
- Geographical dimension of music history
- German and European cultural history since 1800
- Habsburg history
- Historiography of art history (history of the discipline of art history)
- Historiography of art history and of connoisseurship
- Historiography of the Art History (Aby Warburg)
- History and methodology of art history
- History and theory of architecture
- History and theory of operaVerdi, Wagner, Hindemith
- History and theory of photography
- History of 19th century music to the present
- History of 19th-century opera
- History of 20th & 21st century music
- History of Anglo-American musicology since 1945
- History of Art
- History of Art Perception in Modern and Contemporary Art
- History of Display
- History of European architecture 19th and 20th century
- History of European art, 1300-1900
- History of National Socialism
- History of Reconstruction
- History of Venetian music
- History of abstraction
- History of architecture
- History of architecture in Germany 19th and 20th century
- History of art literature and art reception
- History of art theory
- History of classical tradition and the vogue for classical and biblical subjects in art of the modern era
- History of culture
- History of digital culture
- History of emotions
- History of history of art
- History of ideas
- History of ideas, critical theory, aesthetics
- History of images and image theory
- History of listening practices, 19th and 20th centuries
- History of modern art and architecture
- History of museums and of collections
- History of music
- History of music
- History of music in Lithuania and Balticum in 19th and 20th-centuries
- History of music theory
- History of music theory (including reading and printing history, material texts)
- History of music: 18th - 19th centuries
- History of music: Middle Ages
- History of musical aesthetics
- History of musical genres
- History of musical genres (motet, string quintet, sonata)
- History of musical performance
- History of musicology
- History of opera
- History of opera
- History of opera in the 18th and 19th century
- History of perception of the work of art
- History of photography, prints, and painting (19th Century)
- History of prints
- History of the Modern Movement, Bauhaus, German Werkbund
- History of the guitar
- History of the rebuilding of Germany
- History of the senses and music.
- History of the theories and concepts of music
- History of vocal music (both secular and sacred) in the long 19th century
- Italian music in European music history of the 15th to17th century
- Keyboard studies, particularly organ performance and history
- Landscape history, with particular reference to Ian Hamilton Finlay
- Media history
- Methodology and history of musicology
- Methodology of art history
- Methodology of art history and Bildwissenschaft
- Music History 18th to 21st Centuries
- Music history
- Music history
- Music history and performance practice in the 20th century
- Music history of early modern Germany and Italy, and 19th-ct. France
- Music history of the 18th century
- Reception history
- Reception history of the Tabernacle Narrative of Schemot
- Social and intellectual history of music
- Theory and historiography of art history
- Theory and history of modern art and architecture
- Theory and history of musicology
- Theory and history of stained-glass
- XVIIIth - XIXth Century Art History (Painting, Sculpture)
-
humanity
- Digital humanities
- Digital humanities, databases, music editions, digital vocabularies, crowdsourcing, connecting digital resources
-
iconography
- Astrological iconography
- Gender in iconography
- Iconography
- Music Iconography especially Caravaggio
- Musical iconography
-
idea
- History of ideas
- History of ideas, critical theory, aesthetics
-
image
- Anthropology of images
- Early modern images / art and global exchange
- History of images and image theory
- Iconology and image anthropology
- Image theory and artistic practice in Renaissance and Baroque Italy
- Interplay of music, words and images
- Law and the image
- Question of images
- Relationships between early-modern art theory and image theology
-
institution
- 15th- and 16th-century music and institutions in Imperial lands
- Artistic Institutions (Museum History, History of collecting)
- Cultural production and cultural institutions
- Role of European cultural institutions in peacemaking
-
instrumental
- Instrumental music from the 18th century onwards
- Instrumental music of the late 18th and 19th centuries (Mendelssohn and Mozart in particular)
- Renaissance vocal and instrumental music
- Richard Strauss, esp. songs and instrumental music
-
italian
- Art of the Italian Renaissance (16th Century)
- English, French and Italian music of the 14th to 16th centuries
- Italian Painting, 15th–17th century
- Italian Renaissance Art
- Italian Renaissance and Baroque painting
- Italian and French opera in 18th century
- Italian music in European music history of the 15th to17th century
- Italian painting of the early Renaissance
- Italian renaissance painting
- Recent Italian and French music
-
italy
- Art and media in Contemporary Italy
- Image theory and artistic practice in Renaissance and Baroque Italy
- Music Patronage in Early Modern Italy
- Music from 1450 to 1650, particularly in Italy
- Music history of early modern Germany and Italy, and 19th-ct. France
- Southern Italy (middle-ages)
-
late
- European music of the later middle ages, c. 1300-1450
- Instrumental music of the late 18th and 19th centuries (Mendelssohn and Mozart in particular)
- Late Antique and Byzantine studies
- Late Medieval and Renaissance music: sources/media, musical life in central Europe, Josquin, Obrecht, Senfl, German composers around 1500
- Late style
- Music in the late 20th and 21st centuries
- Music in the late romantic/early modern period
- Polyphony, chant, and liturgy in the later Middle Ages and Renaissance
-
life
- Beethoven life and works
- Concert life
- Concert life in eighteenth century france
- European concert life
- Late Medieval and Renaissance music: sources/media, musical life in central Europe, Josquin, Obrecht, Senfl, German composers around 1500
- Life and work of Claude Debussy
- Music in the cultural and political life of Florence
-
literature
- German literature and culture, esp. 18th and 19th centuries
- History of art literature and art reception
- Medieval English literature
- Medieval European literature
- Music and literature
-
medieval
- Early Medieval music
- Late Medieval and Renaissance music: sources/media, musical life in central Europe, Josquin, Obrecht, Senfl, German composers around 1500
- Medieval English literature
- Medieval European literature
- Medieval Georgian art and architecture
- Medieval and Renaissance music
- Medieval and renaissance music
- Medieval art
- Medieval music
- Medieval music
- Medieval music notation, especially in Central Europe.
- Medieval music of all countries
- Medieval music theory
- Medieval performance practice
- Medieval stringed instruments
- Music of Medieval France
-
medium
- Art and media in Contemporary Italy
- Media archaeology
- Media history
- Music, digital media and mediation
- Public service broadcasting, television, cultural and media policy
- Screen media
-
methodology
- History and methodology of art history
- ITC methodologies for cultural heritage (XML/TEI database)
- Methodology
- Methodology and history of musicology
- Methodology of art history
- Methodology of art history and Bildwissenschaft
-
middle
- Cult-objects and religious materiality in the Middle Ages and the early modern period
- Dynamics of cultural interaction in the arts of the Middle Ages and the early modern period
- European music of the later middle ages, c. 1300-1450
- History of music: Middle Ages
- Middle Ages
- Middle Eastern studies
- Music Theory in the Middle Ages
- Music and music theory of the Middle Ages and Renaissance
- Music of the Middle Ages, particularly Gregorian and post-Gregorian chant
- Philosophy of music in the Middle Ages and Renaissance.
- Polyphony, chant, and liturgy in the later Middle Ages and Renaissance
- music in the Principality of Liège (from Middle Ages until Baroque
-
modern
- Architectural books produced in Europe during the modern period
- Art and Mobility in Early Modern Times
- Art and rhetoric in Antiquity and Early Modern Times
- Art of Early Modern Sweden (Renaissance and Baroque)
- Art of the early modern era
- Cult-objects and religious materiality in the Middle Ages and the early modern period
- Curatorship and conservation of modern architecture
- Dynamics of cultural interaction in the arts of the Middle Ages and the early modern period
- Early modern Antwerp in its global connections
- Early modern European art history
- Early modern European music
- Early modern architecture
- Early modern historiography of art
- Early modern history
- Early modern images / art and global exchange
- Early modern music
- Early modern music criticism
- Early modern theory of architecture
- Exodus in Early Modern Art and texts on Art (Ark of the Covenant; Bezalel; Moses)
- History of Art Perception in Modern and Contemporary Art
- History of classical tradition and the vogue for classical and biblical subjects in art of the modern era
- History of modern art and architecture
- History of the Modern Movement, Bauhaus, German Werkbund
- Josep Lluis Sert, Spanish architect who led the introduction of Modern urbanism in North America
- Music Patronage in Early Modern Italy
- Music and early modern press
- Music history of early modern Germany and Italy, and 19th-ct. France
- Music in the late romantic/early modern period
- Renaissance and Early modern art
- Theory and history of modern art and architecture
- Theory of art, early modern to present
- Views and Site-Specificity in Early Modern Architecture
-
museum
- History of museums and of collections
- Museums studies (critical and poscritical perspectives)
- Paris, in the concept of ‘the poetics of the museum’
-
musical
- Critical edition of musical works
- History of musical aesthetics
- History of musical genres
- History of musical genres (motet, string quintet, sonata)
- History of musical performance
- Late Medieval and Renaissance music: sources/media, musical life in central Europe, Josquin, Obrecht, Senfl, German composers around 1500
- Multimodal perception of musical performances
- Musical Notation (especially in relation to theory, composition and performance)
- Musical aesthetics
- Musical amateurs and their collections
- Musical culture of Central Europe
- Musical dramaturgy
- Musical dramaturgy
- Musical editing, music philology
- Musical expressiveness
- Musical historiography
- Musical iconography
- Musical modernism
- Musical narratology and semiology
- Musical notation
- Musical philology
- Musical riddles
- Musical systems
- Sociocultural foundations of musical conducting
- Theory of musical language, form, style, and genre
- Ukrainian musical culture, Ukrainian music in European context, Aspects of psychology of music and pedagogy
-
musicology
- Digital Musicologies
- Historical musicology
- History of Anglo-American musicology since 1945
- History of musicology
- Methodology and history of musicology
- Musicology
- Questions of music historiography and current methods in musicology
- Theory and history of musicology
- Urban Musicology
- musicology
-
nineteenth-century
- Nineteenth-century art
- Nineteenth-century art
-
notation
- Lute Music and Tablature notations
- Medieval music notation, especially in Central Europe.
- Musical Notation (especially in relation to theory, composition and performance)
- Musical notation
-
opera
- Contemporary “indie” opera
- Francesco Cavalli's operas
- Globalisation of opera
- History of 19th-century opera
- History of opera
- History of opera
- History of opera in the 18th and 19th century
- Italian and French opera in 18th century
- Opera
- Opera studies
- Opera studies
-
painting
- Beginnings of Modernist Painting (Marées; Manet)
- French painting from the 17th to the 19th century
- French painting of the 18th century
- German painting in the 19th century
- Italian Painting, 15th–17th century
- Italian Renaissance and Baroque painting
- Italian painting of the early Renaissance
- Italian renaissance painting
- Mediaeval painting
- Painting and theatre
- Painting, photography and early film
- Spanish Baroque painting
-
patronage
- Art, architecture and patronage in Renaissance
- Collection and patronage in the 17th century, especially by the Modena Estensi
- Music Patronage in Early Modern Italy
- Renaissance music manuscript/printed books: edition, music patronage, performance practice.
-
perception
- History of Art Perception in Modern and Contemporary Art
- History of perception of the work of art
- Multimodal perception of musical performances
- Temporality of picture perception
- Timing and time perception in the performing arts
-
performance
- Historical performance
- History of musical performance
- Keyboard studies, particularly organ performance and history
- Medieval performance practice
- Multimodal perception of musical performances
- Music history and performance practice in the 20th century
- Peformance practice / performance studies
- Performance practice
- Performance practice
- Performance studies
- Performance studies
- Renaissance music manuscript/printed books: edition, music patronage, performance practice.
-
period
- Architectural books produced in Europe during the modern period
- Cult-objects and religious materiality in the Middle Ages and the early modern period
- Dynamics of cultural interaction in the arts of the Middle Ages and the early modern period
- English music of all periods
- Music in the late romantic/early modern period
-
philology
- Music philology
- Musical editing, music philology
- Musical philology
- Philology and Editing
-
philosophy
- Aesthetics and philosophy of music
- Philosophy
- Philosophy of architecture and technology
- Philosophy of music
- Philosophy of music in the Middle Ages and Renaissance.
- philosophy of music in the 15th and 16th centuries
-
photography
- Contemporary photography
- History and theory of photography
- History of photography, prints, and painting (19th Century)
- Painting, photography and early film
-
poetics
- Paris, in the concept of ‘the poetics of the museum’
- Poetics
- Poetics and artistic imagination
- Poetics and stylistics of contemporary music
-
politics
- Art and Politics in the Spanish Habsburg Empire
- Music and politics
- Music and politics
- Music and politics on a war-peace continuum
-
practice
- Collecting practices and collection spaces
- History of listening practices, 19th and 20th centuries
- Image theory and artistic practice in Renaissance and Baroque Italy
- Medieval performance practice
- Music history and performance practice in the 20th century
- Music practices and music cultures from the Renaissance to the early 19th century
- Peformance practice / performance studies
- Performance practice
- Performance practice
- Practices of comparison
- Renaissance music manuscript/printed books: edition, music patronage, performance practice.
- Theory and practice of applied ethnomusicology
-
present
- History of 19th century music to the present
- How form becomes formula and stereotype, from 1500 to present
- Past and present in the artistic production
- Theory of art, early modern to present
-
print
- Architecture and mediation in the 19th and 20th centuries, including architecture and print culture, architectural exhibitions, architecture and mobility
- History of photography, prints, and painting (19th Century)
- History of prints
- Prints and photographs (XIXth C)
-
process
- Compositional process and archival research
- Compositional process, the creative process in music
- Creative process of genius: Leonardo da Vinci, Michelangelo, Velázquez
- Processes of transcultural negotiation in art
- Urbanization and globalization processes
-
psychology
- Arts, physiological psychology and neuro-sciences during the 19th and early 20st century
- Music psychology
- Psychology of art
- Ukrainian musical culture, Ukrainian music in European context, Aspects of psychology of music and pedagogy
-
reception
- History of art literature and art reception
- Modalities of reception of the artistic text
- Mozart Reception
- Music aesthetics and reception theories
- Non-figurative Modernist Art and its reception since 1980
- Reception history
- Reception history of the Tabernacle Narrative of Schemot
- Reception of European music in Britain
- Reception of early music in the twentieth century
- Reception studies
-
relationship
- Relationship between Art and Music
- Relationship between architecture, litterature and rhetoric
- Relationships between arts and technologies
- Relationships between early-modern art and Jesuit spirituality
- Relationships between early-modern art theory and image theology
-
religious
- Cult-objects and religious materiality in the Middle Ages and the early modern period
- Music and cultural and religious identity
- Religious art
- Religious studies
- Religious vision
- Site-specific and devotional forms of religious experience as reflected in the arts
-
renaissance
- Art of the Italian Renaissance (16th Century)
- Art, architecture and patronage in Renaissance
- Burgundian Renaissance
- Decorative systems in Renaissance Art
- Grotesques in Renaissance Art
- Image theory and artistic practice in Renaissance and Baroque Italy
- Italian Renaissance Art
- Italian Renaissance and Baroque painting
- Italian painting of the early Renaissance
- Italian renaissance painting
- Late Medieval and Renaissance music: sources/media, musical life in central Europe, Josquin, Obrecht, Senfl, German composers around 1500
- Medieval and Renaissance music
- Medieval and renaissance music
- Music and music theory of the Middle Ages and Renaissance
- Music of the Renaissance
- Music of the Renaissance
- Music practices and music cultures from the Renaissance to the early 19th century
- Philosophy of music in the Middle Ages and Renaissance.
- Polyphony, chant, and liturgy in the later Middle Ages and Renaissance
- Relations between art and music in the Renaissance and Baroque eras
- Renaissance Polyphony in Continental Europe
- Renaissance Venice
- Renaissance and Baroque Art
- Renaissance and Early modern art
- Renaissance art and architecture (especially French Renaissance)
- Renaissance grottoes
- Renaissance music
- Renaissance music manuscript/printed books: edition, music patronage, performance practice.
- Renaissance studies
- Renaissance vocal and instrumental music
- Self-Portraiture, Renaissance - contemporary art
-
research
- Biographical research in music
- Cognitive research in art history
- Compositional process and archival research
- Interdisciplinary research into music and visual culture
-
sacred
- Ethical and aesthetical issues of Baroque sacred music
- Sacred Music (in the context of liturgy, devotion and theology)
- Sacred music, especially of the early centuries
-
semiotics
- Semiotics
- Semiotics
- Semiotics and hermeneutics of music
-
seventeenth
- French music from the seventeenth to the twentieth century
- Music and discourse in seventeenth and eighteenth century Europe
- Seventeenth and Eighteenth century music
- Seventeenth and eighteenth century French music
-
social
- Social Imagining
- Social and cultural theory
- Social and intellectual history of music
-
spanish
- Art and Politics in the Spanish Habsburg Empire
- Historiography of Spanish music in the international context.
- Josep Lluis Sert, Spanish architect who led the introduction of Modern urbanism in North America
- Spanish Art of the Golden Age
- Spanish Baroque painting
- Spanish and Latin American art
- Spanish traditional music. Project "Fons de Música Tradicional (CSIC-IMF)": [http://www.musicatradicional.eu]
-
study
- Art exhibition studies
- Baroque studies
- Court studies
- Court studies
- Epistemology of music studies
- Film music studies
- Gender studies
- Heritage studies
- Interdisciplinary Music and Art Studies
- Keyboard studies, particularly organ performance and history
- Late Antique and Byzantine studies
- Latinamerican cultural studies
- Manuscript studies
- Mediterranean studies
- Middle Eastern studies
- Modernity in architectural study
- Museums studies (critical and poscritical perspectives)
- Opera studies
- Opera studies
- Peformance practice / performance studies
- Performance studies
- Performance studies
- Reception studies
- Religious studies
- Renaissance studies
-
technology
- Music and technology
- Philosophy of architecture and technology
- Relationships between arts and technologies
-
theory
- 15th and 16th century music theory
- Architectural and urban theory
- Architectural history and theory
- Architectural theories and practises, 16th-17th centuries
- Architectural theory
- Art Criticism and Theory
- Art Theory
- Art Theory (Early Modern Times)
- Art Theory (Early Modern)
- Art history - theory and history of the discipline
- Art theory
- Art theory and art history writings
- Art, art theory and art history around 1800
- Digital design theory
- Early modern theory of architecture
- History and theory of architecture
- History and theory of operaVerdi, Wagner, Hindemith
- History and theory of photography
- History of art theory
- History of ideas, critical theory, aesthetics
- History of images and image theory
- History of music theory
- History of music theory (including reading and printing history, material texts)
- History of the theories and concepts of music
- Image theory and artistic practice in Renaissance and Baroque Italy
- Latin music theory of the 14th-16th centuries, especially in Central Europe.
- Medieval music theory
- Music Theory in the Middle Ages
- Music aesthetics and reception theories
- Music and music theory of the Middle Ages and Renaissance
- Music theory
- Music theory and analysis
- Music theory, counterpoint, analysis, musica ficta, text-setting
- Picture theory and historical concepts of pictures
- Relationships between early-modern art theory and image theology
- Social and cultural theory
- Theories of Authorship and Historical Concepts of Artistic Production (Early Modern and since the 1960's)
- Theories of subjectivity
- Theory and historiography of art history
- Theory and history of modern art and architecture
- Theory and history of musicology
- Theory and history of stained-glass
- Theory and practice of applied ethnomusicology
- Theory of art
- Theory of art (with respect to musicology)
- Theory of art, early modern to present
- Theory of music
- Theory of musical language, form, style, and genre
-
transfer
- Cultural Transfer and Music
- Cultural transfer
- Cultural transfer
-
urban
- Architectural and urban theory
- Informal settlements and Urban informality
- Urban Musicology
- Urban activism(s)
- Urban memory and public space
- Urban renewal
-
visual
- Connections between history of art and visual culture
- Digital evolution of visual cultures
- Gender and the visual arts
- Interdisciplinary research into music and visual culture
- Music and visual arts
- Visual and spatial imagery of interiority and solitude
- Visual culture of sport
- Visual hermeneutics
-
western
- Authorship in Western music history
- Music of Western Europe, 1150-1350
- Western European architecture – Romanesque and Gothic
-
work
- Beethoven life and works
- Critical edition of musical works
- History of perception of the work of art
- Life and work of Claude Debussy
- Mechanism of signification of the art work
- Working memory and attention
-
other
- 20th-century music
- African polyphony
- Afro Brazilian music and culture
- Animal symbolicism (especially as regards the spider)
- Antiquarian culture in Europe
- Artistic responses to the First World War
- Artists’ Nomadism
- Audiovisual experience
- Bacchus and Christ
- Bacchus and wine
- Bildwissenschaft
- Bizet
- Building conservation
- Chamber Music
- Church music
- Church music
- Cinema
- Cognitive aspects of aurally transmitted music
- Colonization and Postcolonialism
- Combination of unstinting attentiveness to detail and wider interdisciplinary openness
- Community Planning
- Debussy, Ravel, Milhaud, Les Six
- Desert monasticism
- Developed notion of ‘historical-mindedness’
- Dieterich Buxtehude
- Dionysiac tradition
- Electronic music
- Eschatological chronotopes
- Ethnography
- Ethnography
- Ethnomusicologist (Areas: Central Africa, Grece, Israel)
- Ethnomusicology
- Exhibition / Curator
- Fieldwork
- Florence & Rome
- Franz Liszt
- Franz Schubert
- François Couperin
- Georg Friedrich Händel
- Goya
- Goya and Italia
- Heinrich Schütz
- Heitor Villa-Lobos
- Hendrick Goltzius (1558-1617)
- Hermeneutics of music
- Historical aspects of artists' materials
- Historiogaphy of music
- Iconology
- Improvised counterpoint
- Interdisciplinarity
- Intermediality
- Interrelation between landscape and nature
- Jean-Philippe Rameau
- Jewish music
- Johannes Brahms
- Karel Goeyvaerts
- Kunstliteratur (Art Criticism)
- Landscape-painting
- Lieder
- Liturgy
- Mapping
- Mediterranean routes in painting around 1500
- Modeling
- Modernism
- Modernism and Post-Modernism
- Modernity and music
- Motor and perceptual expertise
- Multiculturalism
- Music
- Music and confessionalisation
- Music and culture
- Music and discourses
- Music and globalisation
- Music and ideology
- Music and letters
- Music and meaning
- Music and migration
- Music and religion
- Music and theology during the Reformation
- Music before 1600 (music and text, music and Humanism, music theory, historiography, source studies)
- Music between Late-Romanticism, Modernism and Postmodernism (especially Richard Strauss and his contemporaries)
- Music in Cinquecento Venice
- Music in Spain
- Music in dictatorships
- Music in political contexts
- Music in the Rhinelands
- Music in the Third Reich
- Music in the world of Islam
- Music of Harrison Birtwistle
- Music of minorities
- Music of pre-modern Europe
- Music teacher training
- Music’s political background
- Naples
- New Objectivity as a stylistic phenomenon
- New semantifications
- Nino Rota
- Organ
- Organ building
- Participative urbanism
- Peter Paul Rubens (1577-1640)
- Placemaking strategies
- Poiesis
- Popular music
- Popular music
- Poulenc
- Pre-cinematic listening
- Problem of style
- Regional music cultures (the Rhineland, Switzerland, Mexico)
- Regional traditions
- Robert Schumann
- Romanesque Sculpture
- Second Viennese School (A. Schoenberg, A. Webern, A. Berg)
- Semiology
- Situationist international and the writings of Guy Debord
- Sources of symbolic language
- Specialist on the writings of the composer and conductor Pierre Boulez
- Spectral music
- Staging of passions
- Stravinsky
- Sung poetry (France, Italy, 1550-1750)
- Theoretical museology
- Theorization
- Tomb sculpture
- Traditional music
- Transatlantic
- Transcultural phenomena and processos in music
- Transmission of music repertory between Spain and other countries (from Europe and the Americas).
- Turkish music
- Twentieth-century Portuguese music
- Urbanism
- Verdi, Wagner, Hindemith
- Viennese Classicism (Mozart and contemporaries)
- Vitruvianism and language of the architectural orders
- Women song composers
- Youth Orchestras ("El Sistema" from Venezuela to Europe)
- ut pictura poiesis
