!!Christopher Reynolds - Selected Publications
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Schumann contra Wagner: Beethoven, the F-A-E Sonata, and ‘Artwork of the Future’, in: Nineteenth-Century Music Review 17, 2021, 1-27\\
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The Sanctification of Beethoven in 1827-28, in: The New Beethoven: Evolution, Analysis, Interpretation, ed. Jeremy Yudkin, Rochester/NY 2020\\
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Alessandro Striggio’s Analysis of Cipriano de Rore’s Ancor che col partire, in: Journal of the Alamire Foundation 9, 2017, 197-218\\
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Überlegungen zur Bedeutung von „Reworkings” in der Komposition von Rock-liedern,” in: Musik aus zweiter Hand / Second Hand Music, ed. Albrecht Riethmüller and Frédéric Döhl, in Spektrum der Musik 10, Laaber, 2017\\
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Wagner, Schumann and the Lessons of Beethoven’s Ninth Symphony, Berkeley 2015\\
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Motive, Structure and Meaning in Willaert’s Motet Videns Dominus, in: Journal of Musicology 32, 2015, 328-45.\\
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Documenting the Zenith of Women Song Composers: A Database of Songs Published in the United States and the British Commonwealth, ca. 1890-1930, in: Notes: The Quarterly Journal of the Music Library Association 69, 2013, 671–687\\
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Brahms Rhapsodizing: The Alto Rhapsody and Its Expressive Double, in: The Journal of Musicology 29, 2012, 190–237\\
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Porgy and Bess: An »American Wozzeck«, in: Journal of the Society for American Music 1, 2007, 1–28\\
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Interpreting and Dating Josquin’s Missa Hercules Dux Ferrariae,” in: Early Musical Borrowing, ed. Honey Meconi, New York and London 2004\\
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Motives for Allusion: Context and Content in 19th-Century Music, Cambridge/Mass. 2003\\
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From Berlioz’s Fugitive to Godard’s Terrorist: Artistic Responses to Beethoven’s Late Quartets,” in: Beethoven Forum 8, 2000, 147-63.\\
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Papal Patronage and the Music of St. Peter’s, 1380-1513, Berkeley 1995\\
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Florestan Reading Fidelio, in: Beethoven Forum 4, 1995, 135-64\\
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Aspects of Clerical Patronage and Musical Migration in the Renaissance, in: I Tatti Studies: Essays in the Renaissance 5, Florence, 1993, 245-64\\
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The Counterpoint of Allusion in Fifteenth-Century Masses, in: Journal of the American Musicological Society 45, 1992, 228-60\\
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The Representational Impulse in Late Beethoven, I: An die ferne Geliebte, in: Acta Musicologica, 60, 1988, 43-61\\
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The Representational Impulse in Late Beethoven, II: String Quartet in F Major, Op. 135. in: Acta Musicologica, 60, 1988, 180-194\\
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Musical Evidence of Compositional Planning in the Renaissance: Josquin’s Plus nulz Regretz, in: Journal of the American Musicological Society, 40, 1987, 53-81\\
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A Choral Symphony by Brahms?, in: 19th-Century Music, 9, 1985, 3-25\\
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Ends and Means in the Second Finale to Beethoven’s op. 30, no. 1, in: Beethoven Essays: Festschrift for Elliot Forbes, ed. Lewis Lockwood, Cambridge/Mass. 1984\\
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Musical Careers, Ecclesiastical Benefices, and the Example of Johannes Brunet, in: Journal of the American Musicological Society, 37, 49-97\\
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Beethoven’s Sketches for the Variations in Eb, op. 35, in: Beethoven Studies III, ed. Alan Tyson, Cambridge 1982\\
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The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory, in: Early Music History, 1, 1981, 257-304