!!Anne Piéjus- Biography
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A Director of research at the CNRS, Anne Piéjus is a specialist of Early Modern Music and works in a multidisciplinary perspective, involving literature, performing arts, history and intellectual history. \\
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She has worked on Racine and the theatre with interludes (“Le Théâtre des Demoiselles”, 2000, critical editions of “Esther”, 2003, 2011/2, “Athalie”, 2005 with their original music). She curated the exhibition “Figures de la passion” (2002) and edited the catalogue; led a programme supported by the ‘Agence nationale de la recherche’ on school spectacles under the Ancien Régime (2 collective books: “Plaire et instruire”, 2007, “Archéologie d'un spectacle jésuite”, 2008), and co-edited Molière’s comédies-ballets (Gallimard, Bibliothèque de la Pléiade, 2010). \\
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She founded and leads the “Mercure galant” programme, which produces enriched editions of text, music and images and leads a reflection on digital humanities for musicology. \\
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She is also conducting research on Italian music (“Music and devotion in Rome at the end of the Renaissance”, Brepols 2014 (awarded 2 prizes from the Institut de France); “Music, censorship and creation”, Olschki 2017; “The Roman motet (1550-1600), a collective issue?” ‘Early Music History‘ 2022). \\
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She is member of the executive committee of the Doctoral School “Concepts et langages” (500 students) and supervises many graduate students trainees.\\
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She is involved in the representation of musicology in several scholarly societies and consortiums. She recently founded the European musicological seminar “Building Relationships in a changing world”.\\ \\[{ALLOW view All}][{ALLOW edit apiejus}][{ALLOW upload apiejus}][{ALLOW comment All}]
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