!!Paweł Gancarczyk  - Publications
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__A. Monographs__\\
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1) La musique et la révolution de l’imprimerie. Les mutations de la culture musicale au XVIe siècle, trad. Wojciech Bońkowski (Lyon: Symétrie 2015), 242 pp.\\
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2) Muzyka wobec rewolucji druku. Przemiany w kulturze muzycznej XVI wieku [[Music and the printing revolution. Transformations in the musical culture of the sixteenth century] (Toruń: Wydawnictwo Naukowe UMK, 2011), 320 pp.\\
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3) Musica scripto. Kodeksy menzuralne II połowy XV wieku na wschodzie Europy Łacińskiej [[Musica scripto. Mensural codices in Eastern Latin Europe in the second half of the fifteenth century] (Warsaw: Instytut Sztuki PAN, 2001), 296 pp. \\
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__B. Essays and articles in peer-reviewed journals and essay volumes (selection)__\\
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1) ‘Memory of Genre: The Polytextual Motet in Central Europe and its Two Traditions’, in: Sounding the Past: Music as History and Memory, ed. Karl Kügle (Turnhout: Brepols, 2020), 141–55 (in press).\\
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2) ‘Traces of Polyphonic Music in Late-medieval Republic of Dubrovnik’, in: Glazba, migracije i europska kultura. Svecani zbornik za Vjeru Katalinić / Music, Migration and European Culture. Essays in Honour of Vjera Katalinić, eds. Ivano Cavallini, Jolanta Guzy-Pasiak and Harry White (Zagreb: Croatian Musicological Society, 2020), 35–52.\\
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3) (with Lenka Hlávková) ‘The Lviv Fragments and Missa L'homme armé sexti toni. Questions on the Early Josquin Reception in Central Europe’, Tijdschrift van de Koninklijke Vereniging voor Nedeerlandse Muziekgeschiedenis 67/1-2 (2017), 139–61.\\
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4) ‘Changing Identities of Songs by Petrus Wilhelmi de Grudencz’, Hudební věda 54/1 (2017), 5–24.\\
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5) ‘Georg Knoff’s Collection in Gdańsk: Remarks on Collecting and Disseminating Printed Music’, De musica disserenda 11/1-2 (2015), 23–40.\\
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6) ‘The Former “Glogauer Liederbuch” and Early Partbooks: On the Origin and Function of the New Type of Musical Codex’, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 64/1-2 (2014), 30–46.\\
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7) ‘Abbot Martin Rinkenberg and the Origins of “Glogauer Liederbuch”’, Early Music 37/1 (2009), 27–36.