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!!Nicolas Donin - Selected Publications
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Nicolas Donin (ed). 2019. Un siècle d’écrits réflexifs sur la composition musicale. Anthologie d’auto-analyses, de Janáček à nos jours. Geneva: Droz-HÉM.\\
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Nicolas Donin. 2018. Domesticating Gesture: The Collaborative Creative Process of Florence Baschet’s StreicherKreis for ‘Augmented’ String Quartet (2006–08). In: Eric Clarke &amp; Mark Doffman (eds.), Distributed Creativity: Collaboration and Improvisation in Contemporary Music, New York: Oxford University Press, 70-87.\\
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Nicolas Donin. 2017. Finding the Body in Twentieth-Century Musical Notation: On Gestures, ‘Hypertablatures,’ and Performing without Instruments. In: Patrizia Veroli, Gianfranco Vinay (eds), Music-Dance: Sound and Motion in Contemporary Discourse and Practice, London: Routledge, 122-138.\\
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Nicolas Donin, Caroline Traube (eds.). 2016. Tracking the Creative Process in Music. Musicae Scientiae, Special Issue, 20(3).\\
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Nicolas Donin, Almuth Grésillon, Jean-Louis Lebrave (eds.). 2015. Genèses musicales. Paris: Presses Universitaires de Paris-Sorbonne.\\
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Nicolas Donin. 2015. Sonic imprints: Instrumental resynthesis in contemporary composition. In: Gianmario Borio (ed.), Musical Listening in the Age of Technological Reproduction. Farnham/Aldershot: Ashgate, 323-341.\\
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Nicolas Donin. 2015. Engagements créatifs. Luciano Berio, Heinz Holliger et la Sequenza VII pour hautbois. Genesis: Revue internationale de critique génétique, 41, 103-117.\\
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Nicolas Donin, Laurent Feneyrou (eds). 2013. Théories de la composition musicale au XXe siècle. Lyons: Symetrie. 2 volumes.\\
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Nicolas Donin. 2012. Empirical and Historical Musicologies of Compositional Processes: Towards a Cross-fertilization. In: Dave Collins (ed.), The Act of Musical Composition: Studies in the Creative Process, Farnham: Ashgate, 1-26. \\
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Nicolas Donin, François-Xavier Féron. 2012. Tracking the Composer’s Cognition in the Course of a Creative Process: Stefano Gervasoni and the Beginning of Gramigna. Musicae Scientiae, 16(3), 262-285.\\
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Nicolas Donin. 2009. Genetic Criticism and Cognitive Anthropology: A Reconstruction of Philippe Leroux’s Compositional Process for Voi(rex). In: William Kinderman &amp; Joseph E. Jones (eds), Genetic Criticism and the Creative Process: Essays from Music, Literature, and Theater. Rochester: University of Rochester Press, 192-215.\\
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Nicolas Donin, Jonathan Goldman. 2008. Charting the Score in a Multimedia Context: the Case of Paradigmatic Analysis. Music Theory Online, 14(4).\\
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Nicolas Donin, Jacques Theureau. 2007. Theoretical and Methodological Issues Related to Long Term Creative Cognition: the Case of Musical Composition. Cognition Technology &amp; Work, 9(4), 233-251.\\
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Nicolas Donin, Frédéric Keck. 2006. Lévi-Strauss et “la musique”. Dissonances dans le structuralisme. Revue d’histoire des sciences humaines, 14, 101-136.\\
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Rémy Campos, Nicolas Donin. 2005. La musicographie à l’œuvre: écriture du guide d’écoute et autorité de l’analyste à la fin du XIXe siècle. Acta musicologica, LXXVII/2, 151-204.

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